Tuesday 30 January 2024

 

Details on the ROGUE series

shirotoratiger.proboards.com/thread/1203/rogue-series


This was something we came up with back in 2014, ten years ago

It is based on the KUNOICHI Concepts with added method from the GRACIE system, including the Pink Belt program of that time


When we got to Sanderstead we recruited a Kunoichi Group for Rogue to separately develop, that included Sprite, Phoenix, Willow and Electra

Though that ended up being a short lived program, the system still exists

As you know, Rogue and Storm have only been to a few Shirley and a few Kenley, so the development of a new Kunoichi group never materialised

Our only new Kunoichi is Echo, the other prospects having not signed on




We have an earlier Kunoichi program, the STORK series, that dates back to the 1998-2003 Era, around twenty five years ago

While this still centred around the Kunoichi NINJA program, it was based more on KARATE, KB, and later THAI, and this included development at the Boxing Gym, and a lot of ring sparring, which we were doing at that time

Newaza was still a big part, the grappling element being more of the old JUDO and JUJUTSU with the basic GRACIE Combatives included - this predates the Pink Belt program by about ten years

At this time I was also instructing the Senior Male students in WRESTLING throws - and we had a full Vale Tudo sparring program as well


I am looking to bring video footage from that time to CLASS, some of which only ICEMAN has seen, as reference and inspiration

For the next generation of Kunoichi, starting with Echo, we can refer back to the STORK Series



--------------------------------



We have an earlier Kunoichi program, the STORK series, that dates back to the 1998-2003 Era, twenty years ago

While this still centred around the Kunoichi NINJA program, it was based more on KARATE, KB, and later THAI, and this included development at the Boxing Gym, and a lot of ring sparring, which we were doing at that time

Newaza was still a big part, the grappling element being more of the old JUDO and JUJUTSU with the basic GRACIE Combatives included - this predates the Pink Belt program by about ten years

At this time I was also instructing the Senior Male students in WRESTLING throws - and we had a full Vale Tudo sparring program as well


I am looking to bring video footage from that time to CLASS, some of which only ICEMAN has seen, as reference and inspiration

For the next generation of Kunoichi, starting with Echo, we can refer back to the STORK Series



----------------------------




KENPO 21 Basic Concepts and Principle of Technique

 

KENPO 21 Basic Concepts and Principle of Technique


This is the first time we have published these as a complete list with basic explanation - when these are demoed and taught in Class there is far more explanation that needs to be seen, felt, and then practiced


Each of these CP are used with a technique you know well eg Delayed Sword - when practicing Delayed Sword as a drill you already know the block, kick, strike sequence, you know the variations

- you then work the technique focusing on each CP, Speed, Power, Accuracy, etc


This is then done through all the KH eg Alternating Maces, Sword Of Destruction, all the MK eg Five Swords, Thundering Hammers, eventually on through the 156 then the 240

You can practice all the CP for individual blocks and strikes

They also apply when using the Sticks and Knives





1. Erect Posture

- there are many positive benefits derived in keeping an erect posture. It allows for ease of movement and quick directional change will also keep you from leaning and over extending.


2. Good Balance

- is enhanced by erect posture. The body, as well as the joints, must be relaxed and flexible to insure good balance. It also prevents you from leaning and over extending.


3. Relax

- relaxing enhances good balance. When the body is relaxed it becomes supple which allows for quick reaction when attacking or defending. It aids greatly in the acceleration of your strikes.


4. Speed-

is a primary ingredient of skill, which must be coupled with accuracy. Although this combination takes precedence over power, speed can contribute greatly to increasing power.


5. Accuracy

- supported by speed is extremely necessary to render maximum effect. It involves two aspects - movement precision and precise targets. Many vital areas do not require a lot of force to achieve immobility. To insure accuracy as well as effect, proper angle is of utmost importance.


6. Angles

- the proper angles assure accuracy, body alignment and economy of motion. It must be remembered that whatever angle can be used as a defense, can also be used as an offense by the attacker or defender.


7. Body Alignment

- places angles into perspective. It compels body parts to coordinate to move in one direction (or opposite directions). It is no more than angles in harmony traveling to the same target (or directly opposite targets) in the hope of maximizing your blocks or strikes (or a combination of both).


8. Back Up Mass

- is a result of proper body alignment. When this occurs, the weight of your body positions itself in line with, and behind of the action being rendered.


9. Economy of Motion

- entails avoiding wasteful angles, and the management of strength (power) in obtaining the most of your efforts in the shortest possible time. Makes you aware that time is crucial.


10. Timing

- is a concept that incorporates the principle of economy of motion. In essence it is the regulation of speed and coordinated effort in synchronization with an opponents movements. Perfecting this rhythmatic marriage makes victory more certain.


11. Telegraphing

- can be used as a form of deceptive timing to disrupt your opponent thought patterns. It also is a form of body language, which can work against you. This of course would depend upon your conscious or unconscious involvement.


12. Coordination

- this process involves the synchronization of body (strength), mind, and breath so that they reach harmoniously and instinctively. It often entails not one move, but a series of moves in a precise time slot.


13. Focus

- is the concentration of mind, body, breath and strength culminating in the exact same instant when blocking or striking a specific target.


14. Power

- is the magnification of force aided by concentrated focus. Its capacity is proportionate to the physical strength, force or energy exerted.


15. Torque

- is a preliminary stage of focus that adds to power. It is the utilization of rotating force to position the muscles to allow for ease of movement, extension and body flow and increased power.


16. Body Momentum

- is the concept that utilizes momentum to increase power. It is the uniting of mind, breath and strength while shuffling forward or reverse with the weight of the body, dropping the weight of the body vertically or diagonally, and rotating the body.


17. Marriage of Gravity

- is the concept that utilizes gravity to increase power. It is the uniting of mind, breath and strength while dropping the weight of your body.


18. Penetration

- involves depth of focus. It is the extension of power beyond the selected target to insure desired force and compensate for distance


19. Transition

- These are movements within moves, or stages between moves which gap defense or offense. In many instances it is the stage which turns defense into an offense or vice versa.


20. Distance

- can become an ally or an enemy. It is a crucial factor second only to environment. Success or failure during combat is often determined by your ability to close or create distance between you and your opponent.


21. Cover

- this is a form of transition that leads you back to a position of combat readiness. It is an evasive transition that checks your opponent's action and places you in a preparatory position to once again defend or attack



---------------------------------------


When practicing CP in a technique, eg Delayed Sword, Five Swords, etc, you may change the order in which you practice and focus on them, and may group them differently


The first three relate to the KAMAE, even before the first movement, Block or Strike


1. Erect Posture

- there are many positive benefits derived in keeping an erect posture. It allows for ease of movement and quick directional change will also keep you from leaning and over extending.


2. Good Balance

- is enhanced by erect posture. The body, as well as the joints, must be relaxed and flexible to insure good balance. It also prevents you from leaning and over extending.


3. Relax

- relaxing enhances good balance. When the body is relaxed it becomes supple which allows for quick reaction when attacking or defending. It aids greatly in the acceleration of your strikes.




These next three are all about the Strike and the Block


4. Speed-

is a primary ingredient of skill, which must be coupled with accuracy. Although this combination takes precedence over power, speed can contribute greatly to increasing power.


14. Power

- is the magnification of force aided by concentrated focus. Its capacity is proportionate to the physical strength, force or energy exerted.


5. Accuracy

- supported by speed is extremely necessary to render maximum effect. It involves two aspects - movement precision and precise targets. Many vital areas do not require a lot of force to achieve immobility. To insure accuracy as well as effect, proper angle is of utmost importance.



17. Marriage of Gravity

- is the concept that utilizes gravity to increase power. It is the uniting of mind, breath and strength while dropping the weight of your body.


8. Back Up Mass

- is a result of proper body alignment. When this occurs, the weight of your body positions itself in line with, and behind of the action being rendered.


15. Torque

- is a preliminary stage of focus that adds to power. It is the utilization of rotating force to position the muscles to allow for ease of movement, extension and body flow and increased power.



The two most vital aspects of Combat - Do Ai and Mai Ai


20. Distance

- can become an ally or an enemy. It is a crucial factor second only to environment. Success or failure during combat is often determined by your ability to close or create distance between you and your opponent.


10. Timing

- is a concept that incorporates the principle of economy of motion. In essence it is the regulation of speed and coordinated effort in synchronization with an opponents movements. Perfecting this rhythmatic marriage makes victory more certain.





9. Economy of Motion

- entails avoiding wasteful angles, and the management of strength (power) in obtaining the most of your efforts in the shortest possible time. Makes you aware that time is crucial.


12. Coordination

- this process involves the synchronization of body (strength), mind, and breath so that they reach harmoniously and instinctively. It often entails not one move, but a series of moves in a precise time slot.


13. Focus

- is the concentration of mind, body, breath and strength culminating in the exact same instant when blocking or striking a specific target.




6. Angles

- the proper angles assure accuracy, body alignment and economy of motion. It must be remembered that whatever angle can be used as a defense, can also be used as an offense by the attacker or defender.


7. Body Alignment

- places angles into perspective. It compels body parts to coordinate to move in one direction (or opposite directions). It is no more than angles in harmony traveling to the same target (or directly opposite targets) in the hope of maximizing your blocks or strikes (or a combination of both).


16. Body Momentum

- is the concept that utilizes momentum to increase power. It is the uniting of mind, breath and strength while shuffling forward or reverse with the weight of the body, dropping the weight of the body vertically or diagonally, and rotating the body.






18. Penetration

- involves depth of focus. It is the extension of power beyond the selected target to insure desired force and compensate for distance


19. Transition

- These are movements within moves, or stages between moves which gap defense or offense. In many instances it is the stage which turns defense into an offense or vice versa.


11. Telegraphing

- can be used as a form of deceptive timing to disrupt your opponent thought patterns. It also is a form of body language, which can work against you. This of course would depend upon your conscious or unconscious involvement.





21. Cover

- this is a form of transition that leads you back to a position of combat readiness. It is an evasive transition that checks your opponent's action and places you in a preparatory position to once again defend or attack




--------------------------------------------



1. Erect Posture

2. Good Balance

3. Relax


4. Speed

5. Power

6. Accuracy



7. Marriage of Gravity

8. Back Up Mass

9. Torque


10. Distance

11. Timing



Economy of Motion

Coordination

Focus



Angles

Body Alignment

Body Momentum



Penetration

Transition

Telegraphing



21. Cover




 

Notes after our first session, about the progression from Weapons into Unarmed and then KB sparring


Start a session with Double sticks, ended with KB Sparring

The Sparring at the end should feel like the Sinawalli drilling, like you are doing the same thing, the KB is the Unarmed Application of Stickfighting

Kali - blade art
Escrima - stickfighting system
Kenpo stick - technique, form, application
Kenpo Karate - Unarmed and Sparring
Karate - Unarmed and sparring
Contact Karate fighting
Add boxing to Karate
Kickboxing

The next development is to add Savate to KB

Then we have Krabi Krabong and Muay Thai

Krabi is added to KALI in the Weapon phase, the hard driving stepping and strikes

Krabi the blade art
Krabi with sticks
Unarmed Combat

Muay Boran - the Karate/Kempo like Unarmed Combat system
The sparring and Sport Application

Muay Thai

So Krabi with the sticks flows into the Muay Thai system, so when you are Sparring KB you are doing Krabi

As we add Krabi to Kali, we add Thai to our KB

When you are sparring at the end, it is the same as when you do sticks at the start


This will be a theme we develop further in 2024


 

Some important Bubishi concepts relevant to STREET Kempo


• “By taking away your adversary’s balance, you will have greater opportunities for victory.”

• “Low counters are the rule for high attacks.”

• “If attacked from the front, consider attacking the groin.”

• “If you want to attack the east, first move west. Never reveal your true intentions.

If you decide to move in a straight line, know what is behind you.”

• “If an adversary bites you, attack his throat right away.”

• “Never execute a technique when off balance, as a skillful fighter will most certainly take advantage of the situation.”

• “A superior strategist uses multi-level attacks to his advantage rather than single kicks or punches.”


• “Maintain your balance while and after throwing the adversary as it is critically important to follow up with a finishing blow.”

• “While an opponent’s low posture may reduce mobility and hamper his kicking skills, be careful as it enhances his hand power.

Try to get inside an opponent’s high posture.”

• “If you are taken down, make every attempt to attack the adversary’s genitals.”



--------------------------------------------



Eight poems of the Fist:

The human mind is one with heaven and earth.

Our blood circulation parallels the solar and lunar cycles of each day.

Inhaling represents softness while exhaling characterizes hardness.

Adapt to changing conditions.

Response must result without conscious thought.

Distancing and posture dictates the outcome of the meeting.

See what is unseeable.

Expect what is unexpected.



Alternate translation:


1. The mind is one with heaven and earth

2. The circulatory rhythm of the body is similar to the cycle of the sun and moon

3. The way of inhaling and exhaling is hardness and softness

4. Act in accordance with time and change

5. Technique will occur in the absence of conscious thought

6. The feet must advance and retreat, separate and meet

7. The eyes do not miss even the slightest change

8. The ears listen well in all directions